Andrés Pereira Paz 2018/19
In his artistic practice, Andrés Pereira Paz (born in La Paz, Bolivia in 1986) explores how regional identities are constructed and changed from a global perspective. He is particularly concerned with the influence of Western power structures on the development of a collective identity of the inhabitants of the cultural area of the Andes from the 20th century to the present day. In his installations, collages and drawings, the artist questions postcolonial ways of thinking and perception that determine the identity construction of the Andean inhabitants from a Western perspective. In many of his artistic works he repeatedly uses traditional textiles from the Andes region, such as hand-embroidered Paracas fabrics from Peru, or tapestries and scarves from Bolivia, into whose structures the diverse cultures of the Andes region seem to be woven. By artistically reworking the textiles and attaching objects of daily use, the artist alienates the material from its traditional context of use and breaks with our viewing habits. In his analogue and digital collages, he also applies this method of decontextualizing and juxtaposition of various materials as well as the appropriation of various culturally connotated forms and patterns.
Andrés Pereira Paz lives and works between Lima and La Paz. He studied Visual Arts and Cultural Studies at the Hernando Siles Arts Academy in La Paz and at the Tres de Febrero University in Buenos Aires. His artistic work has been shown in numerous regional and international solo and group exhibitions. He was awarded diverse scholarships and participated in residence programmes in Bolivia, England, Chile, Argentina and Peru.
Andrés Pereira Paz: "Radio Carabuco"
Exhibition: May 24 – June 16, 2019
Opening: May 23, 7 pm
Künstlerhaus Bethanien, Kottbusser Strasse 10, 10999 Berlin, Germany
The exhibition Project "Radio Carabuco" at Künstlerhaus Bethanien has evolved from the podcast station of the same name created by Bolivian artist Andrés Pereira Paz. The starting point is the artist's critical reflection on a vision of hell produced by the painter José López de los Ríos, created in 1664 during the colonial period in the town of Carabuco in Bolivia. This painting, commissioned by the Catholic church, can still be seen in Carabuco’s church on the shores of Lake Titicaca in La Paz. As European engravings were widely known during the colonial period, these sincretic depictions of 'Glory', 'Purgatory' and 'Hell' may correspond in part to engravings made by French artist Philippe Thomassin during the early 17th century, highlighting the interchange of images at that time. As in many other paintings of the period, the Christian motif was reproduced by the Spanish colonial power for the purpose of 'pagan conversion' and as propaganda to hammer home Catholicism's message of salvation as intended for transfer to Latin America. Against this background, Pereira Paz will present a series of podcasts exploring the forms and effects of religious and cultural colonization and investigating various political and social perspectives, particularly with regard to his native Bolivia. The focus will be on the demonization and suppression of the 'Other'.
Thinking of the exhibition space as a setting for listening, Pereira Paz has collaborated with international artists, social scientists, performers and activists (Gabriel Acevedo Velarde, Ana Alenso, David Aruquipa Perez, Stanisław Czaplicki, Elia Nurvista, Liv Schulman) to produce specially commissioned audio pieces and podcasts on various subjects, such as the emerging European far right, LGBTQIA+ performances in Bolivian folklore, the presence of evangelical Christians in South America, and extractivism, etc.
In this way the artist asks whether the traditional western notion of 'Hell' can function as a symbolic place of active resistance against propaganda, censorship, and discrimination that should be defended as fiercely as possible – after all, in traditional Bolivian culture the earth and the subterranean do not conjure ruin or disaster; on the contrary, 'Pachamama' means 'great Mother Earth' and 'eternal source of life'.
The audio installation at Künstlerhaus Bethanien is supplemented by a selection of images from the David Aruquipa Perez and Comunidad Diversidad archive as well as an object-based installation created by the artist.
As from May 24th, podcasts and audio pieces will be available online at www.radiocarabuco.com
Andrés Pereira Paz was born in La Paz, Bolivia, in 1986. He lives and works in Berlin. He completed his artistic training at the Academia Nacional de Bellas Artes Hernando Siles in La Paz as well as at the Universidad Nacional de Tres de Febrero and at the Centro de Investigaciones Artísticas (CIA) in Buenos Aires, Argentina. He has also attended workshops run by renowned artists such as Roberto Valcárcel and Diana Aisenberg.
Exhibitions (selection): Salón Santa Cruz, Kiosko Galería, Santa Cruz de la Sierra, Bolivia; Blue eyes, (curator Aina Pomar), The Ryder Projects, London, UK; Rayo Purita o el futuro es aquello que llevamos en la espalda, Crisis Galería, Lima, Peru (2018).
Participation in exhibitions (selection): Perfuch, UV Studios, Buenos Aires, Argentina (2019); Es todo tu culpa, El Garajr, Lima, Peru (2018); I am he as you are she as you are me, (curator Kiki Mazzuchelli), House of Egorn Gallery, Berlin (2018); HAWAPI el triángulo terrestre, Centro Cultural Cerrillos, Santiago de Chile, (2018); Bienal Contextos, Museo Nacional de Arte, La Paz, Bolivia (2018).
He is currently a KfW Stiftung grant holder in the international studio programme at Künstlerhaus Bethanien.
The exhibition will be accompanied by a catalogue (english).